Preview: Massachusets
“For Barbara Eskin, that power is less a solid mass than a porous net—a piece of which she used to create the four contact prints in The Grid. Eskin stumbled upon the scrap of fishing net several years ago, before turning it into a trope for her more recent explorations of artistic, intellectual and physical entrapment. For Abstract Systems, Eskiin literally breaks through the confinement of the net, creating an empty hanging frame with free moving cutouts.”

Art New England
April 17, 2017